Debbie Barry Running head: Strength is male and weakness is female.
This was particularly true in the case of women who were seen as the upholders of morals in polite society and were expected to behave accordingly. Christine is without a husband and independent at the start of the play whereas Nora is married to Torvald and dependent on him and his position at the bank.
Both begin at different ends of the spectrum.
In the course of the play their paths cross and by the end of the play each woman is where the other started. It appears that a woman has two choices in society; to be married and dependent on a man or unmarried and struggle in the world because she does not have a man.
Yet there is a double standard regarding the expectations of men. Men are the dominant figures in any male-female relationship particularly marriage expecting their wife to obey their decisions and their will. By conforming to these roles both man and woman can be sure of securing a respected position in society.
Nora engages in a mutually dependent game with Torvald in that she gains power in the relationship by being perceived as weak, yet paradoxically she has no real power or independence because she is a slave to the social construction of her gender.
She realises that she has been living with a stranger, since the whole marriage is a charade to fulfil the expectations of Victorian society. Women appear to be reliant on the existence of a husband in their life in order to have a respected status within society and therefore feel fulfilled.
Christine feels unfulfilled without anybody in her life: Christine is an independent woman but we can see that she is unhappy at the fact that she has not met the social stereotype for her gender. She functions to show how difficult it is for a woman to survive on her own.
Christine realises she will be far more comfortable and regarded better by society with a husband and we believe that she feels that any husband will satisfy the expectations of her gender better than being single. This explains why she settles for a dubious moral character.
Faced with only two possible decisions Christine settles for the lesser of two evils. It confronts the constructivist view that the expectations of the genders are created as a result of society and the differences between men are women come about as a consequence of the culture they are in.
A successful individual is judged largely on whether they have fulfilled the expectations of their gender. A man who was dominated by his wife or an unmarried woman, for example would not command respect from society.
Likewise a marriage or an individual performs how it believes is appropriate in reaction to the gender constructions and expectations of society.Get an answer for 'Please discuss gender inequality presented in Ibsen's A Doll's House.
' and find homework help for other A Doll's House questions at eNotes. Mar 25, · Gender Roles in A Doll’s House. By: Justine Nazworth They do not discriminate based on one’s gender. In addition to Krogstad, there is the third male role played by Dr.
Rank. He is an older man and close friends with the Helmer’s. Although he is a well-to-do, reputable gentleman, Dr. Rank does not fit the mold of a. Gender in A Doll’s House In Henrik Ibsen’s play, A Doll’s House, Nora is the wife and mother. This play was considered so extreme because of the problem of women’s rights outlined in this play, something that was not openly showcased in .
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FREE Shipping on eligible orders. More Buying Choices. $ (16 new offers). A Doll's House explores a range of views on social roles, marriage, and identity. The various characters of the play present expressions of different takes on each of these issues.
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